The Renaissance of Wallpaper: With a twist
September 17, 2012 § Leave a comment
The first thing my husband did when we moved into our house many years ago was rip a long piece of wallpaper off the bathroom wall. “We won’t be keeping this,” he proclaimed. Well, I wasn’t planning to start a bathroom renovation that afternoon (I had to hide the ugly blemish with towels for months), but he certainly had the right idea. All the wallpaper came down eventually and was replaced with paint.
Many of us have visions of homes with old faded wallpaper and knick-knacks everywhere or rooms where every available inch of real estate was covered: ceiling, switch plates, wastebaskets– even the window treatments matched the wallpaper.
The rebirth of wallpaper that we’re experiencing, however, is far different from what you lived through in your grandmother’s parlor.
1) Contemporary wallpaper makes a bold statement either with color, texture, large graphic design, or all three.
2) The wallpaper is a feature of the room, like a piece of art, and not simply a wall covering upon which to layer a hodgepodge of family photos, diplomas, and other objects of interest.
And that’s the major difference. It’s more about what else is going on (or not) in the room and less about the wallpaper itself. Contemporary use of wallpaper involves a more judicious placement in areas like the focal wall in a foyer (as in the photo), the walls in a guest bath, the headboard wall in the master bedroom, and the walls above wainscoting in the dining room. The wallpaper is also selected to be the appropriate scale in the room (you won’t see so many little tiny pink flowers anymore). And the furnishings in a room with bold, contemporary wallpaper harmonize with it, both through color and fabric design and scale.
So be adventuresome. If you’re feeling like your room is just a little too blah, even after you’ve painted a fresh new color, try wallpapering an accent wall. Just for fun. Your grandmother would be proud.
Spring Spruce-Up-Your-Front Door Campaign
March 1, 2012 § 3 Comments
Your front door says more about you than you know. Who lives behind this front door?
Someone who appreciates simplicity (look at the actual door –besides the wreath, there is not one embellishment) and architectural drama (check out the Corinthian columns and the heavy layers of molding on the portico).
The person who lives here also has ties to culture (a Moravian star pendant hangs above the door) and a sense of humor (the three little silver starfish on the wreath are so cute!).
The homeowner’s color sensibilities are subtle and elegant (the understated cream siding blends effortlessly with the soft, light sage door color).
The overall impression is eye-popping as you drive by. This house is tiny (I assure you) but the entry speaks volumes.
What does your front door say about YOU?
Choosing House Colors: Gray-Blue?
January 24, 2012 § Leave a comment
You do not have to look very far in nature to find a palette of coordinating colors from which to pluck your house paint chips. This time we’re looking at a glassy pond reflecting the blue of the sky. This blue, however, is not a primary saturated hue but rather a complex shade that has grays and greens in it as well.
So going to the paint store, you’ll want to move toward the muddy gray part of the fan deck and find your blue there. Stay away from the clear Crayola blues or you will end up with a house color that may in fact glow in the dark.
Look carefully at the colors around the pond and you will find your accent colors. Autumn red for the door, dark woody brown for the front step treads, crisp cloud white for the trim, and pops of golden yellow for your flower pots.
With nature as your color palette, you cannot make a mistake.
Choosing House Colors: Gray-Green?
January 20, 2012 § Leave a comment
Look all around your environment for color inspiration. Sometimes the most complex color palettes come from places we might least expect, like a kayaking trip, for example. Look at the different shades and tones in the water and sky. They evoke a calmness that’s relaxing to look at. Then the red kayak pops out of the photo — we know it doesn’t belong there but it grabs our attention.
What if we use this scenic palette for a house exterior! The gray-green of that 
water is not a color you would necessarily pick out of a paint store color chip lineup, but it’s a great house color. It’s muddy and dark and has a little bit of brown mixed with green and gray. Very complex — not a Crayola color, that’s for sure!! But paired with cream trim, a brown roof and pops of red accents, the combination fits right into its environment just like the house was plucked from the shores of Maine.
Updating a Porch with Columns
January 10, 2012 § Leave a comment
When it comes to exterior design elements, if it looks too big up close, it’s probably perfect. And that certainly applies to porch columns. Spindly toothpick posts do nothing for the overall curb appeal of a house except add busy detail (Victorian houses with turned porch columns are the reluctant exception).
If you are building a porch or modernizing the one you have, select a few oversized columns with substantial girth. Resist the well-meaning but uninformed little voice that says the columns are too big for the house. They’re not.
Who Says You Can’t Paint Your House Pink?
November 10, 2011 § Leave a comment
Pink can be a tasteful house color for old Victorian homes and even new-construction homes with made-to-look-old character. Ranging from bubblegum to rose to petal pink and even lavendar, you name it — we’ve seen it.
Although some homeowners may go a little over the top with the pink, here’s a house that I find to be really well done. The soft ballet-pink hue is paired with creamy white trim and topped with a medium gray roof. What works so beautifully for this property is that the gray is carried over to the garage outbuilding that stands alone completely in both style and color. By limiting the pink to the house only, the homeowners have balanced what might be considered a soft feminine palette with a dose of solid, neutral dark gray — a touch of masculinity, if you will. The design principle of balance, the yin and yang, is evident here. And it works!
Sporting a Patriotic Color Scheme
November 7, 2011 § Leave a comment
With all due respect to my international bloggers, this house sings America the Beautiful to me every time I drive by. This time, I stopped to capture its beauty and share it with you.
What makes this red, white, and blue color scheme work so perfectly is the balance of color between the candy-apple-red siding and the creamy white trim. Notice on the flag hanging on the door that, for the most part, neither the red nor the white stripes dominate. Both colors balance each other. That same effect is evident on this house — the exceptionally wide trim painted a soft cream keeps the red from overpowering the house. Just like the flag, the house is balanced.
Navy blue accents the doors — just like the small block of navy blue in the upper lefthand corner of the flag provides a contrasting backdrop to the white stars.
If you have an old farmhouse or an outbuilding on your property that you would love to feature, consider painting it red with creamy white trim and navy blue doors. Hang the flag out front. You’ll attract attention but go ahead. Be proud!
Shutters Shatter Traditional Color Combinations
September 6, 2011 § 4 Comments
This house has a color combination I wanted to share with you. The taupe siding has the most interesting pink, almost purple, undertone that changes the way we see the house color depending on the light. The color can go from brown to mauve to gray over the course of the day. The trim is a combination of painted creams and vinyl off-whites (I wish they had picked one color or the other, honestly). But the real surprise (we’ll ignore the green front door) is the majestic blue shutter color. I would never think to pair the mauvey taupe with a royal blue but somehow it works. Black shutters would have been the easy choice, but someone had the bold idea to step out of the ordinary and into a new color combo. New to me anyway…
Shutters provide another opportunity, along with the front door, of course, to express some individuality for your home’s exterior. Although it is customary to work within the neighborhood in terms of palette, if you feel like breaking the mold, go for it. Just be sure that your home’s personality does not overpower your own. It’s no fun to make excuses for a paint job that went haywire. In other words, if you don’t like it, paint it over!
In the meantime, have another spin of the fandeck and see what paint color combinations work for you.
Choosing Siding Color (or Colors) for your House
July 19, 2011 § 4 Comments
If your house has an architectural feature — maybe a porch, a large portico, or a distinctive garage — consider using an accent color for the siding instead of the color you’ve chosen for the house.* The effect is obvious. The accent color will stand out. This color technique is perfect for large houses that might look too massive if they were all the same color. Dividing up the exterior color gives you an opportunity to highlight the design of your home and make a large-scale house a bit cozier.
Speaking of a massive house that could use a little visual down-sizing, maybe we should consider accenting the architectural detail on the White House with a little color! … (oh, forget it… we’d get into that red state/blue state thing — no wonder the place is still white!)
Anyway, color can be used creatively to re-scale a large structure and add visual interest.
If you want your house to look bigger, however, this technique is NOT for you. Dividing up the exterior color chops up the house and calls attention to small areas. If your small house currently has a multi-colored siding palette, consider painting it all one color and using the accent colors for doors, shutters, furniture, flowers, and other accessories.
*The construction of the Doyle Center in Leominster, MA, is really interesting. Here’s a link: http://www.thetrustees.org/what-we-care-about/climate-change/green-buildings/doyle-conservation-center.html
Crown Molding: A Crowning Achievement or a Hot Mess
July 15, 2011 § Leave a comment
If lighting is the jewelry in the room, the crown molding is like a proper hem — no stitches showing. Crown molding covers the seam between wall and ceiling and adds weight and architecture to the room. And by drawing the eye upward, crown molding can create the framework for painting the ceiling something other than white. But done improperly, crown molding will lead to painting miscues and a hot mess.
I ran into just such a situation today on a high-end new construction job. The carpenter had “built up” the molding by using a couple of inches of wall between the crown at the top along the ceiling and another cheaper piece of finish molding along the bottom edge (photo shows how it’s supposed to look). The idea was to make the finished unit (crown + wall + smaller molding — all painted trim color) look like a giant (read: expensive!) piece of crown molding. What happened was that the carpenter did not finish the edges at the doorway leaving wall space exposed. The painter then came along and, not having a finished piece of molding to serve as the starting point, he (or she) drew a LINE on the wall with a pencil and started painting wall color on the other side of it. Oh…my…gosh… and this was high-end construction??
So two warnings:
If you are using crown molding, make sure you get an experienced carpenter who has the sense to finish edges. If you’re putting it up yourself, do your research first and know how you’re going to go around corners and finish edges properly.
If you are painting a wall, you must have a piece of architectural molding or the wall edge in order to move from one color to another. Never draw a vertical line on the wall to separate two colors unless you’re painting stripes. That’s it!
Phew! ‘Nuf said…
Your Home & Color Coach 