January 28, 2013 § 2 Comments
The roof — any roof — is a big-ticket item on the house so choosing it can be a little unsettling. There are so many colorful options available that it’s easy to get wowed by the prospect of something other than the traditional charcoal.
When choosing your roof, make sure you follow these two rules to insure a good result you can live with for, say, 40 years:
1) Get large samples of your roof options. Do not choose a roof from a photo on the computer or a little brochure. Make sure you hold the roof sample up against the side of your house to test for color coordination and to see how busy the two are when side-by-side. Stand back at the curb and take a good look. If possible, get the address of a home that has the roof already installed so you can see how the roof looks over a large area. Does it get lighter or darker? Good to know ahead of time.
2) Avoid the clash of the Maximum Definition shingles with the house. If your house is a busy colorful mixture of bricks or stones, avoid the busy “max def” roof as you will create a combination worthy of a major migraine. The photo above (from Owens Corning) is a good example of pairing a busy max def roof style (with its multiple colors) with a house siding that is neutral, painted brick and neutral siding. There is a good balance between the busy roof and the plain, calm siding materials. There’s no doubt that the roof takes center stage. Make sure it doesn’t fight with the siding “understudy.”
If you follow these two rules, you will narrow your options down to two or three reasonable choices and avoid any major, expensive roof mistakes.
January 25, 2013 § Leave a comment
Yes, it’s winter and the roof in this photo is covered with snow, but now we can focus on the rest of the house, particularly the stone. What works on this house is the color palette that is taken directly from the numerous available hues in the stonework itself.
The bricks are a monochromatic rusty red color that complements the stone without competing with it — a challenge when you have multiple materials on the house. The siding is a gray neutral, also in the stone. The trim is pulled from some of the darker taupe stones. How easy is that? Job done.
If you are building a home with different materials, use the busy one with the most colors (stone or brick) to make the rest of your color decisions. That way, the whole house will come together in a harmonious cornucopia of color.
The alternative? Choosing a color that is not in the palette at all. The result? A disjointed effect that divides the house into sections and makes it seem smaller. Can be done, but it’s tricky and needs a professional colorist to pull off. Do yourself a favor and stick with the natural palette that presents itself to you from your building materials.
January 16, 2013 § Leave a comment
When it comes to furniture placement, some rooms just will not cooperate. With bay windows, bow windows, niches, dormers, and other odd architectural challenges, where on earth do you put your sofa? One solution is to forget the sofa altogether and replace it with a circular arrangement of very comfortable chairs, either all matching for a formal look or all mismatched for a casual eclectic look.
Either way, the arrangement gives you an instant, inviting seating area where you can sit down with others and have a cup of coffee or read the paper. In this photo, the designers put a round coffee table for holding popcorn, drinks, books, and just about anything else. But as you know, I’m a big fan of the big overstuffed ottoman– what I consider to be the perfect piece of versatile furniture– so that would be my choice for the center.
If you simply cannot figure out where to place your living room sofa, consider moving it to the family room or wherever the TV is. Replace the sofa/loveseat/chair concept with four comfy upholstered chairs. You’ll love the change.
January 7, 2013 § 4 Comments
Just a pet peeve of mine, but I really do not care for a bright red metal roof on an old historic stone house. I know that some of my bias is regional–I’m sorry if I’ve offended anybody’s taste. But what I much prefer is a color that comes from the stone itself. What that does is blend the roof with the house and not call it out like a big old stop sign on a dirt road.
This photo shows a neutral option for a metal roof color. Perfect actually for the little stone house above.
If you are choosing a metal roof color for your home and you do NOT want to feature the roof as the focal point of the neighborhood, choose a color that blends or approximates a traditional roof color (grays, bronze, brown, charcoal, black). On the other hand, if you need people to find your house in a snowstorm, then choose a bright Crayola color and love it. Fair warning.
January 3, 2013 § 1 Comment
We have Downton Abbey, Princess Kate, and the popularity of all things English to thank for the resurgence of gold in interior design right now. At least that’s my opinion… And what a welcome sight it is.
After too many years degilding homes of anything that even hinted of gold, brass or yellow, the hue of royalty has returned.
The new interpretation, however, is decidedly fresh as we see in this living room from Traditional Home magazine. The wall color is so subtle that it accentuates even the creamy tan stripe on the window panel and the moldings on the ceiling. The gold demilune table and classic gold-framed art above it pop. As does the Chinese porcelain, as if pulled directly from the painting. Even the floor color is perfect, establishing a solid grounding upon which to layer all those beautiful blues and wheat tones.
The look is not your grandmother’s living room, with all due respect to your grandmother. Gold is nolonger shunned from updated decor.
Welcome back, gold.
Interior designer: Joseph Minton, with Paula Lowes and Michelle M. Wade
December 29, 2012 § Leave a comment
Okay, I admit it. I am a consignment store junkie. And with good reason. Not only is it “green” to furnish your home with items that have been around awhile, it’s amazing what you can find for a fraction of the retail price for a new item. And the consignment bug has started to spread to my clients. During one project, we were looking for a settee of a specific length to fit in a tight spot. Tricky to find new anyway unless we went custom. My client decided to check out the local consignment store, and he found the perfect piece. Even the legs and wood color were perfect. Call it luck or call it karma.
The Cannery Exchange in Newport Beach, CA. (photo credit: Jody Tiongco)
I am convinced that these vintage pieces have a soul — they certainly have a history visible by the lovely worn patina on the arms or the scratches on the tabletop. But every scratch has a story attached to it, and that story comes with the piece to its new home.
You can always paint and recover a chair, for example, if you want a painted furniture look. Again, you’re probably starting with a chair that’s far better constructed than what you can find now so you’re already ahead. It’s like finding a piece of gently worn designer clothing or better yet a piece with the tags still hanging on it. Bonus!
Give your home some character by adding a piece or two of consignment furniture. But beware. You might catch the consignment bug too.
December 28, 2012 § 5 Comments
Determining a beige color undertone (defined by color expert Maria Killam as “a colour applied under or seen through another colour”) can be tricky. Beige can have one of several undertones: pink, yellow, or green are the basics. If you have dining room furniture with a decidedly yellow/orange hue and walls with a pink undertone like Benjamin Moore’s Georgetown Pink Beige HC-56, then yikes, you have a problem. Off to the paint store.
Bottom Line: Mixing pink-beige with yellow-beige (or yellow/orange) is a big no-no. Fix: Choose a paint with a different (non-pink) undertone like Benjamin Moore’s Monroe Bisque HC-26 that has a yellow undertone and looks great with the golden oak.
If you avoid the mistake of mixing pink and yellow undertones, you’re on your way to understanding them. The other nuances of what undertones to mix and not to mix will come much easier. Note: Mixing pink and yellow vibrant hues is perfectly okay. It’s just the dreaded undertones that can trip you up. Beware.
December 11, 2012 § Leave a comment
What a difference a decade makes. What used to be the lighting fixture of choice in upscale homes is now (still, even after several years out of favor) being tossed in a dumpster by young home owners who view the shiny yellow metal as the equivalent of how we viewed our grandmother’s dark brown paneling. Of no value.
Instead there are dozens of metal choices and finishes for lighting and other home accessories like light switch covers and doorknobs. So anti-shiny-brass are today’s home buyers that some are just shy of insisting that even all shiny brass door hinges be switched out to something else.
Note: these design trends may be regional and they don’t apply to historic homes so don’t panic if you love your brass chandelier and it fits your home’s decor perfectly. But If you are not happy with your shiny traditional yellow brass chandelier in your dining room or kitchen, you have three options:
1) Thumb your nose at metal color trends and simply wait for shiny yellow brass to come back in style. Kind of like you kept your go-go boots and bell bottoms from junior high. Yes, both trends came back around but not quite the way they looked in the late 60s. But still, doing nothing is always a design option.
2) Paint the shiny brass chandelier a different color. I once stood on a ladder, leaned over the dining table and painted my client’s brass chandelier first with a base coat of matte black to cover all the sheen and then a faux finish of browns and oranges to simulate a rustic bronze finish. It worked. The house sold.
3) Replace the old chandelier with a more current brass option like this one. The metal is toned down (antiqued) and the candelabra bulbs are covered with contemporary silk drum shades — a traditional yet updated look. Honestly, the antique brass has been around forever, and it went through a period of disfavor right around the time the shiny metal took over. But the muted finish, with updated shades, is back and looking good.
November 29, 2012 § 266 Comments
The ceiling is the fifth wall and many decorators and designers feel that keeping the ceiling white is like “throwing a sheet over the room” (Christopher Lowell said that years ago). But there are a few conditions to consider before painting the ceiling anything other than white:
1) Is your ceiling heavily textured? In many old houses, the ceiling is patterned (and God forbid, “popcorned”) and therefore very difficult to paint well. Also, painting it anything other than white will call attention to it and maybe that’s not what you want. One solution is to have your ceilings replastered to match your walls and painted, but if that’s out of the question, I would stick with white.
2) Is your ceiling a smooth plaster? If so, you should definitely paint it. How lucky you are! See below for what color.
2A) Is your ceiling really high? If so, you can paint it virtually any color that goes with the rest of the room. If you’d like to bring the ceiling down visually, consider a color darker than your wall color or a warm color (both will advance and appear to bring the ceiling down to a level that’s more in scale with your room). Also consider adding crown moulding if it’s not already there. The moulding will also bring the ceiling down by calling your eye’s attention to it. And it really finishes the room.
2B) Is your ceiling low or average height? Consider painting it a tint of the wall color. If your walls are a medium blue, then your ceiling would be the very lightest blue on the color swatch or even lighter (white with a dash of blue). This will help to round out the room and make the ceiling part of the overall decor — not just that white sheet over the top.
3) Does your room have enough light? Bright white ceilings do help bounce light back into the room so if your room is already dark, pay special attention to the ceiling color. White can be used effectively, but light tints on the ceiling will also reflect light. Just avoid a ceiling color that is going to absorb all the light and leave the room dark.
4) Are you painting a guest bath? I like to paint the wall color right up over the ceiling in a guest bathroom. Doing that makes the room feel larger by blending the walls and ceiling together and avoiding sharp lines and corners. Or do something kind of exotic on the ceiling, like the Moroccan tent (see photo above).
5) Are you painting a bedroom? In what other room do we lie around and stare at the ceiling? Why not paint it something interesting. In a bedroom, the sky’s the limit (literally) — from puffy blue clouds on a backdrop of sky blue to a quilt of squares in different colors (Candice Olson did a fabulous multi-colored geometric ceiling in a master bedroom). And in kids’ rooms, the ceiling is just one more space to use your creativity.
Hope this helps the “Do I paint the ceiling?” dilemma.
November 8, 2012 § Leave a comment
Does your beautifully decorated home brace for the onslaught of holiday decorations every year? When your artfully arranged furniture is sidelined to make space for the tree and your oh-so-subtle color scheme is squashed by the big footed Santa and his reindeer? I feel your pain… 😉
I’m here to help. But before that, if you have children, then forget about it. Do up the most spectacular Christmas you can imagine and enjoy the blinking lights and the kaleidoscope of colors for as long as your children appreciate your home’s transformation. And for the young-at-heart who still enjoy reliving this most festive time, then relax. Go ahead and hang all those old ornaments on the tree. The holidays are for celebrating and reminiscing too.
Now for those of you who would prefer a light touch to the holiday decorating and would like to create an oasis from the mall madness, this tip is for you.
Limit your holiday color scheme of ornaments, ribbons, and decorations to white. That’s it. Then, just as the photo suggests from http://www.traditionalhome.com, add the necessary sparkle with glass ornaments, silver and gold metallic objects to reflect candlelight, and simple greens. You will be amazed at how festive your home looks without even an ounce of Santa’s sleigh red.